![]() ![]() Notes Of All The Chords In The key of E flat Minor i – VI – III – VII (Ebm – Cb – Gb – Db).Let’s now take a look at common chord progressions in the key of E flat minor natural. The following piano key chord chart shows all the triads in Eb minor as well as four note extended chords. To learn more about chords by key (what chords are in what key and why), check out my book, Master Piano Chords By Key And Give Yourself A Big Advantage When Playing, Learning Or Writing Songs. VII – Db major, Db dominant seventh (Dbmaj, Db7).VI – Cb major, Cb major seventh (Cbmaj, Cbmaj7).v – Bb minor, Bb minor seventh (Bbmin, Bbmin7).iv – Ab minor, Ab minor seventh (Abmin, Abmin7).III – Gb major, Gb major seventh (Gbmaj, Gbmaj7).iidim – F diminished, F minor seventh flat five (Fdim, Fm7b5).i – Eb minor, Eb minor seventh (Ebmin, Ebmin7).The notes of the Eb minor natural scale are: Eb F Gb Ab Bb Cb DbĬhords in natural minor keys follow the pattern, minor diminished major minor minor major major. Roman numerals indicate each chord’s position relative to the scale. For example, in our first voicing below there's a major-3rd between the Eb and G, but the rest of the intervals are perfect 4ths.What are the chords in the key of E flat minor? We shall list triad chords and four note extended chords below in the key of Eb min. Using the right diatonic notes is what matters most, moreso than strict adherence to the mathematical interval structure. Starting from the main chord tones on top and extending the chord as I go down just works better for me.Īlso, don't get confused if sometimes we stray slightly from strict fourth intervals. Pro tip: I find it much easier to think about building fourth voicings from the top down, rather than from the bottom up, though that's not a hard and fast rule. Keep with it, the results are worth the effort. This can be a little weird, especially if you have a long history of playing classical music. ![]() ![]() These voicings have 5 notes and are shown in 4 different inversions. My examples below use the following sequence of notes in 4th intervals to build voicings: 11-7-3-5-1. We can create a more modern jazz sound by using the same notes, but stacked in 4ths instead. Up to this point our voicings have been based around minor chords built by stacking 3rds (1,3,5,7,9,11), and related inversions. ![]()
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